Capturing your sound with the highest accuracy is our goal.

Top of the line microphones of every type. We use the Dynamount X2-R remote mic stand control to adjust mic positions on guitar cabs and more to find the perfect mic position on guitar cabs and more.

Large Diaphragm Tube Condenser

Large Diaphragm Condensers

Small Diaphragm Condensers

Ribbon

Dynamic

<— To Gear

Dynamount X2-R – Remote Mic Positioning Control

Find the perfect mic position for guitar cabs, drums or other instruments.

Dynamount X2-R

Large Diaphragm Tube Condenser

Neumann U67

Neumann U67

 

 

 

 

 

 

 

Classic versatile tube microphone. Great on Vocals, Guitar, Horns, Strings and just about anything else. Originating in 1960 and known as the U60 it eventually was named the U67 to align with the naming of the U47 which it replaced in the Neumann lineup. The original U67 was discontinued in 1971 and replaced by the U87 as the top of the line mic in the Neumann lineup. The U87 had begun production in 1967. It sported modern FET (Field Effect Transistor) circuitry and could be powered by phantom power rather than requiring a separate power supply for each mic. In 1992 U67 production briefly resumed with another 400 being made. Production resumed in 2018. The new ‘reissued’ version of the U67 is so similar that you can actually exchange the modern parts with those from vintage versions of the mic. Since it’s inevitable these parts true to the original will eventually become unavailable even these reissues will rise in value as the originals have. An original U67 currently can fetch upwards of $15,000.

Large Diaphragm Condensers

 

Neumann TLM 103

A baby U87.  Minus the transformer and uses only a cardioid pickup pattern.

Neumann TLM 103

 

 

 

AKG C414 XLii

The Swiss Army knife of microphones with over a half dozen different polar patterns. Great on everything. Many different versions over time.

AKG C414 Xlii

 

 

 

Lauten ‘The Snare Mic’

A mic geared specifically for snare. Has high and low pass filters.

Lauten Snare MIc

Warm WA-47F

Excellent rendition of a Neumann U47 FET. Especially good on Kick Drum (Huge bottom end), Guitar, Horns and Vocals.

Warm WA-47F

 

Blue Bluebird

Blue Bluebird

MXL V67G

MXL V67G

 

Small Diaphragm Condensers

 

Aston Starlight (2) – Matched Pair

Vintage, modern and hybrid settings. Aston is a newer company out of the UK making some great mics like the Spirit and Origin. Pretty unique in the industry Starlights have a built in laser light helping to ensure accurate placement.

Aston Starlight Matched Pair

Shure KSM141 (3)

Steve Albini (R.I.P.) said it’s a good snare mic. When he wasn’t using his Altec 175 tube condenser. The KSM141 can also be used in omni as a distant room mic taped to the floor. The mic is great on many sources.

Shure KSM141

 

Ribbon

 

Royer SF-24 Stereo

Capture full orchestras, strings, drum kits, acoustic guitar, horns, a Leslie and so on. Easily set up Blumlein or Mid/Side configurations. Two stacked ribbon mics at 90 degree angles from each other. Figure eight picking up at the same level from either side.

Royer SF-24

Royer R-121 (2)

As with any great ribbon mic it has many uses. Great on Electric Guitar. Being a figure eight pickup pattern it’s slightly brighter from the back side. One use is to place it by a drummer’s knee with one side pointing at the snare bottom and the other at where the kick drum beater hits the kick drum head.

Royer R-121

Coles 4038 (2)

Classic on drum overheads. Great on acoustic/electric guitar and vocals. Originated in the 1950’s and they haven’t changed a thing. Why mess with perfection.

Coles 4038

 

 

Dynamic

Shure SM7B

Great Rock Vocal mic. Useful on Hi Hat and snare.

Shure SM7B

 

 

 

Shure SM58 (2)

Used everywhere. Great sound isolation so perfect for live vocals where bleed from the surrounding instruments is important. Good enough for use in a Studio setting by U2’s Bono on almost all of his vocals.

Shure SM58

 

Shure SM57 (6)

One of the most affordable and versatile mics ever made.

Shure SM57

Shure Beta52A

Great on Kick Drum or a Bass Guitar cab.

Shure Beta52A

AKG D112

Seen in use on kick drum everywhere.

AKG D112

 

Sennheiser MD 421 (3)

Preferred by many on Toms. Great for electric guitar cabs, kick drum and even vocals.

Sennheiser MD421

 

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